Where have I been? Y'all just missed out on reading a long thingy on the R&B ballad which I deleted 'cos it was crap - moral of the story was that I love love love Mis-Teeq's "Strawberrez" and "Home Tonight" despite (or because of?) the fact that they're insipid generic ballads etc. etc. Mushy pre- and post-coital bliss ahoy! (and incidentally
Eye Candy is still in my top ten for 03, maybe top five)
Otherwise another piece on Luomo that you'll probably get to see eventually, essays for uni, lots of paid work (not writing though! Selling cinema tickets of course) and ILX-procrastinating have contributed to a big fat zero Skykicking posts.
Motivation for this post: I'd forgotten how much I absolutely adore Clipse's "Ego" - that chorus, the rhymes ("So sad but we won't think twice/we're rich, we get the best judicial advice"), the manna-from-heaven groove... Could it be, straight up and down, The Neptunes best groove ever? I'm sure I'm in the minority here, as at first glance it's such a generic-seeming tune, but really hasn't The Neptunes' entire career-path been about stripping away the surface level stuff that characterised their early work and honing in on the generic magic of their synthetic funk?
More and more I think that
Lord Willin' may be the Neptunes' best
album of grooves (although
Kaleidoscope possibly trumps it). Certainly better than the hella patchy
Clones, on which the best track apart from ODB's is Clipse's anyway. I tend to find though that I shy away from Neptunes-produced tracks which too obviously foreground the duo's role as auteur producers, and while I'm sure
Clones is supposed to demonstrate the duo's range all I can spot are the similarities from track to track.
By contrast, having the same MCs on every track makes the grooves on
Lord Willin' sound much more wide-ranging and imaginative, and much more unself-conscious about being so as well, which results in me enjoying it a fair bit more than
In Search Of.... Don't know why on that last point, cos
In Search Of is a great record - maybe
Lord Willin just sounds more
physically impacting, more inspired and imaginative at the rhythm engine level rather than just dressed up with a few real instruments.
Then again, the popular conception amongst even many people I trust that N.E.R.D. represents The Neptunes' best work is one of those ideas that I accept maybe
I'm wrong in disbelieving so vehemently - file it next to the accepted truths that Basement Jaxx's "All I Know" is a filler track, that Daft Punk's "Too Long" is too long, that
The Present Lover is disappointing...
